
Armless (unrhymed)
In the heat the people stand like statues,
children scuffle up against the long wall.
Hotel California, but no entrance -
visa, passport, transport, no-show shoeless.
Children scuffle up against the long wall;
strangle and garottes the hopeless hoping.
Visa, passport, transport, no-show shoeless -
UN bugger-alling, vetoed armless,
strangles and garottes the hopeless hoping.
Strip ‘em, strap ‘em, limb-from-limb ‘em, all, all;
UN bugger-alling, vetoed armless,
on an island in a sea of loathing.
Strip ‘em, strap ‘em, limb-from-limb ‘em, all, all.
Soldier killed by sniper and it’s “Terror!”,
on an island, in a sea of loathing.
Tank in ‘error’ slaughters six civilians.
Soldier killed by sniper and it’s “Terror!”,
media control our ears and eyes, screened.
Tank in ‘error’ slaughters six civilians;
forces on offensive, so defensive.
Media control our ears and eyes, screened.
Hotel California, but not entrance.
Forces on offensive, so defensive;
in the heat the people sit like statues.
Armless (rhymed)
In the heat they stand like humbled gentry,
children scuffle up against the long wall.
Hotel California, yet no entry;
strip ‘em, strap ‘em, limb-from-limb ‘em, all, all.
Children scuffle up against the long wall.
UN bugger-alling, vetoed armless -
strip ‘em, strap ‘em, limb-from-limb ‘em, all, all.
Visa, passport, transport, no-show shoeless -
UN bugger-alling, vetoed armless,
strangles and garottes the hopeless hoping.
Visa, passport, transport, no-show shoeless,
on an island in a sea of loathing,
strangles and garottes the hopeless hoping.
Soldier killed by sniper and it’s “Terror!”,
on an island in a sea of loathing.
Tank cuts down civilians, six, in ‘Error’,
soldier killed by sniper and it’s “Terror!”
Media control our eyes and ears, sieved;
tank cuts down civilians, six, in ‘Error’.
Forces on offensive, so defensive,
media control our eyes and ears, sieved.
Hotel California, yet no entry;
forces on offensive, so defensive.
In the heat they sit like ruined gentry.
☆
Pantoum: Usually blank (unrhymed), and no meter dictated, but quite often these elements are added to this unusual, repetition-rich old form from Malaysia, originally song and adapted as poetry by the French Colonialists (one of the better things to arise from Imperialism). I’ve used trochaic pentameter in both versions.
Repetition-scheme is simply that the second and fourth line of every stanza becomes the first and third of the next. In the final stanza, the same applies, plus the second and fourth lines are repetitions of lines one and three of the very first stanza. So every line is repeated once. Variations in repetition are acceptable (quite nice actually, in my opinion).
Which is more effective, the rhymed or unrhymed version?
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